Slaughterhouse-Five Page 14
The battle of the laboratories held fateful risks for us as well as the battles of the air, land, and sea, and we have now won the battle of the laboratories as we have won the other battles.
We are now prepared to obliterate more rapidly and completely every productive enterprise the Japanese have above ground in any city, said Harry Truman. We shall destroy their docks, their factories, and their communications. Let there be no mistake; we shall completely destroy Japan's power to make war. It was to spare--
And so on.
One of the books that Lily had brought Rumfoord was The Destruction of Dresden, by an Englishman named David Irving. It was an American edition, published by Holt, Rinehart and Winston in 1964. What Rumfoord wanted from it were portions of the forewords by his friends Ira C. Eaker, Lieutenant General, U.S.A.F., retired, and British Air Marshal Sir Robert Saundby, K.C.B., K.B.E., M.C., D.F.C., A.F.C.
I find it difficult to understand Englishmen or Americans who weep about enemy civilians who were killed but who have not shed a tear for our gallant crews lost in combat with a cruel enemy, wrote his friend General Eaker in part. I think if would have been well for Mr. Irving to have remembered, when he was drawing the frightful picture of the civilians killed at Dresden, that V-1's and V-2's were at the very time falling on England, killing civilian men, women, and children indiscriminately, as they were designed and launched to do. It might be well to remember Buchenwald and Coventry, too.
Eaker's foreword ended this way:
I deeply regret that British and U.S. bombers killed 135,000 people in the attack on Dresden, but I remember who started the last war and I regret even more the loss of more than 5,000,000 Allied lives in the necessary effort to completely defeat and utterly destroy nazism.
So it goes.
What Air Marshal Saundby said, among other things, was this:
That the bombing of Dresden was a great tragedy none can deny. That it was really a military necessity few, after reading this book, will believe. It was one of those terrible things that sometimes happen in wartime, brought about by an unfortunate combination of circumstances. Those who approved it were neither wicked nor cruel, though it may well be that they were too remote from the harsh realities of war to understand fully the appalling destructive power of air bombardment in the spring of 1945.
The advocates of nuclear disarmament seem to believe that, if they could achieve their aim, war would become tolerable and decent. They would do well to read this book and ponder the fate of Dresden, where 135,000 people died as the result of an air attack with conventional weapons. On the night of March 9th, 1945, an air attack on Tokyo by American heavy bombers, using incendiary and high explosive bombs, caused the death of 83,793 people. The atom bomb dropped on Hiroshima killed 71,379 people.
So it goes.
"If you're ever in Cody, Wyoming," said Billy Pilgrim behind his white linen screens, "just ask for Wild Bob."
Lily Rumfoord shuddered, went on pretending to read the Harry Truman thing.
*
Billy's daughter Barbara came in later that day. She was all doped up, had the same glassy-eyed look that poor old Edgar Derby wore just before he was shot in Dresden. Doctors had given her pills so she could continue to function, even though her father was broken and her mother was dead.
So it goes.
She was accompanied by a doctor and a nurse. Her brother Robert was flying home from a battlefield in Vietnam. "Daddy--" she said tentatively. "Daddy--?"
But Billy was ten years away, back in 1958. He was examining the eyes of a young male Mongolian idiot in order to prescribe corrective lenses. The idiot's mother was there, acting as an interpreter.
"How many dots do you see?" Billy Pilgrim asked him.
And then Billy traveled in time to when he was sixteen years old, in the waiting room of a doctor. Billy had an infected thumb. There was only one other patient waiting--an old, old man. The old man was in agony because of gas. He farted tremendously, and then he belched.
"Excuse me," he said to Billy. Then he did it again. "Oh God--" he said, "I knew it was going to be bad getting old." He shook his head. "I didn't know it was going to be this bad."
Billy Pilgrim opened his eyes in the hospital in Vermont, did not know where he was. Watching him was his son Robert. Robert was wearing the uniform of the famous Green Berets. Robert's hair was short, was wheat-colored bristles. Robert was clean and neat. He was decorated with a Purple Heart and a Silver Star and a Bronze Star with two clusters.
This was a boy who had flunked out of high school, who had been an alcoholic at sixteen, who had run with a rotten bunch of kids, who had been arrested for tipping over hundreds of tombstones in a Catholic cemetery one time. He was all straightened out now. His posture was wonderful and his shoes were shined and his trousers were pressed, and he was a leader of men.
"Dad--?"
Billy Pilgrim closed his eyes again.
*
Billy had to miss his wife's funeral because he was still so sick. He was conscious, though, while Valencia was being put into the ground in Ilium. Billy hadn't said much since regaining consciousness, hadn't responded very elaborately to the news of Valencia's death and Robert's coming home from the war and so on--so it was generally believed that he was a vegetable. There was talk of performing an operation on him later, one which might improve the circulation of blood to his brain.
Actually, Billy's outward listlessness was a screen. The listlessness concealed a mind which was fizzing and flashing thrillingly. It was preparing letters and lectures about the flying saucers, the negligibility of death, and the true nature of time.
Professor Rumfoord said frightful things about Billy within Billy's hearing, confident that Billy no longer had any brain at all. "Why don't they let him die?" he asked Lily.
"I don't know," she said.
"That's not a human being anymore. Doctors are for human beings. They should turn him over to a veterinarian or a tree surgeon. They'd know what to do. Look at him! That's life, according to the medical profession. Isn't life wonderful?"
"I don't know," said Lily.
Rumfoord talked to Lily about the bombing of Dresden one time, and Billy heard it all. Rumfoord had a problem about Dresden. His one-volume history of the Army Air Force in World War Two was supposed to be a readable condensation of the twenty-seven-volume Official History of the Army Air Force in World War Two. The thing was, though, there was almost nothing in the twenty-seven volumes about the Dresden raid, even though it had been such a howling success. The extent of the success had been kept a secret for many years after the war--a secret from the American people. It was no secret from the Germans, of course, or from the Russians, who occupied Dresden after the war, who are in Dresden still.
"Americans have finally heard about Dresden," said Rumfoord, twenty-three years after the raid. "A lot of them know now how much worse it was than Hiroshima. So I've got to put something about it in my book. From the official Air Force standpoint, it'll all be new."
"Why would they keep it a secret so long?" said Lily.
"For fear that a lot of bleeding hearts," said Rumfoord, "might not think it was such a wonderful thing to do."
It was now that Billy Pilgrim spoke up intelligently. "I was there," he said.
It was difficult for Rumfoord to take Billy seriously, since Rumfoord had so long considered Billy a repulsive non-person who would be much better off dead. Now, with Billy speaking clearly and to the point, Rumfoord's ears wanted to treat the words as a foreign language that was not worth learning. "What did he say?" said Rumfoord.
Lily had to serve as an interpreter. "He said he was there," she explained.
"He was where?"
"I don't know," said Lily. "Where were you?" she asked Billy.
"Dresden," said Billy.
"Dresden," Lily told Rumfoord.
"He's simply echoing things we say," said Rumfoord.
"Oh," said Lily.
"He's got echolalia
now."
"Oh."
Echolalia is a mental disease which makes people immediately repeat things that well people around them say. But Billy didn't really have it. Rumfoord simply insisted, for his own comfort, that Billy had it. Rumfoord was thinking in a military manner: that an inconvenient person, one whose death he wished for very much, for practical reasons, was suffering from a repulsive disease.
Rumfoord went on insisting for several hours that Billy had echolalia--told nurses and a doctor that Billy had echolalia now. Some experiments were performed on Billy. Doctors and nurses tried to get Billy to echo something, but Billy wouldn't make a sound for them.
"He isn't doing it now," said Rumfoord peevishly. "The minute you go away, he'll start doing it again."
Nobody took Rumfoord's diagnosis seriously. The staff thought Rumfoord was a hateful old man, conceited and cruel. He often said to them, in one way or another, that people who were weak deserved to die. Whereas the staff, of course, was devoted to the idea that weak people should be helped as much as possible, that nobody should die.
There in the hospital, Billy was having an adventure very common among people without power in time of war: He was trying to prove to a willfully deaf and blind enemy that he was interesting to hear and see. He kept silent until the lights went out at night, and then, when there had been a long period of silence containing nothing to echo, he said to Rumfoord, "I was in Dresden when it was bombed. I was a prisoner of war."
Rumfoord sighed impatiently.
"Word of honor," said Billy Pilgrim. "Do you believe me?"
"Must we talk about it now?" said Rumfoord. He had heard. He didn't believe.
"We don't ever have to talk about it," said Billy. "I just want you to know: I was there."
Nothing more was said about Dresden that night, and Billy closed his eyes, traveled in time to a May afternoon, two days after the end of the Second World War in Europe. Billy and five other American prisoners were riding in a coffin-shaped green wagon, which they had found abandoned, complete with two horses, in a suburb of Dresden. Now they were being drawn by the clop-clop-clopping horses down narrow lanes which had been cleared through the moonlike ruins. They were going back to the slaughterhouse for souvenirs of the war. Billy was reminded of the sounds of milkmen's horses early in the morning in Ilium, when he was a boy.
Billy sat in the back of the jiggling coffin. His head was tilted back and his nostrils were flaring. He was happy. He was warm. There was food in the wagon, and wine--and a camera, and a stamp collection, and a stuffed owl, and a mantel clock that ran on changes of barometric pressure. The Americans had gone into empty houses in the suburb where they had been imprisoned, and they had taken these and many other things.
The owners, hearing that the Russians were coming, killing and robbing and raping and burning, had fled.
But the Russians hadn't come yet, even two days after the war. It was peaceful in the ruins. Billy saw only one other person on the way to the slaughterhouse. It was an old man pushing a baby buggy. In the buggy were pots and cups and an umbrella frame, and other things he had found.
Billy stayed in the wagon when it reached the slaughterhouse, sunning himself. The others went looking for souvenirs. Later on in life, the Tralfamadorians would advise Billy to concentrate on the happy moments of his life, and to ignore the unhappy ones--to stare only at pretty things as eternity failed to go by. If this sort of selectivity had been possible for Billy, he might have chosen as his happiest moment his sundrenched snooze in the back of the wagon.
Billy Pilgrim was armed as he snoozed. It was the first time he had been armed since basic training. His companions had insisted that he arm himself, since God only knew what sorts of killers might be in burrows on the face of the moon--wild dogs, packs of rats fattened on corpses, escaped maniacs and murderers, soldiers who would never quit killing until they themselves were killed.
Billy had a tremendous cavalry pistol in his belt. It was a relic of World War One. It had a ring in its butt. It was loaded with bullets the size of robins' eggs. Billy had found it in the bedside table in a house. That was one of the things about the end of the war: Absolutely anybody who wanted a weapon could have one. They were lying all around. Billy had a saber, too. It was a Luftwaffe ceremonial saber. Its hilt was stamped with a screaming eagle. The eagle was carrying a swastika and looking down. Billy found it stuck into a telephone pole. He had pulled it out of the pole as the wagon went by.
Now his snoozing became shallower as he heard a man and a woman speaking German in pitying tones. The speakers were commiserating with somebody lyrically. Before Billy opened his eyes, it seemed to him that the tones might have been those used by the friends of Jesus when they took His ruined body down from His cross. So it goes.
Billy opened his eyes. A middle-aged man and wife were crooning to the horses. They were noticing what the Americans had not noticed--that the horses' mouths were bleeding, gashed by the bits, that the horses' hooves were broken, so that every step meant agony, that the horses were insane with thirst. The Americans had treated their form of transportation as though it were no more sensitive than a six-cylinder Chevrolet.
These two horse pitiers moved back along the wagon to where they could gaze in patronizing reproach at Billy--at Billy Pilgrim, who was so long and weak, so ridiculous in his azure toga and silver shoes. They weren't afraid of him. They weren't afraid of anything. They were doctors, both obstetricians. They had been delivering babies until the hospitals were all burned down. Now they were picnicking near where their apartment used to be.
The woman was softly beautiful, translucent from having eaten potatoes for so long. The man wore a business suit, necktie and all. Potatoes had made him gaunt. He was as tall as Billy, wore steel-rimmed trifocals. This couple, so involved with babies, had never reproduced themselves, though they could have. This was an interesting comment on the whole idea of reproduction.
They had nine languages between them. They tried Polish on Billy Pilgrim first, since he was dressed so clownishly, since the wretched Poles were the involuntary clowns of the Second World War.
Billy asked them in English what it was they wanted, and they at once scolded him in English for the condition of the horses. They made Billy get out of the wagon and come look at the horses. When Billy saw the condition of his means of transportation, he burst into tears. He hadn't cried about anything else in the war.
Later on, as a middle-aged optometrist, he would weep quietly and privately sometimes, but never make loud boohooing noises.
Which is why the epigraph of this book is the quatrain from the famous Christmas carol. Billy cried very little, though he often saw things worth crying about, and in that respect, at least, he resembled the Christ of the carol:
The cattle are lowing,
The Baby awakes.
But the little Lord Jesus
No crying he makes.
Billy traveled in time back to the hospital in Vermont. Breakfast had been eaten and cleared away, and Professor Rumfoord was reluctantly becoming interested in Billy as a human being. Rumfoord questioned Billy gruffly, satisfied himself that Billy really had been in Dresden. He asked Billy what it had been like, and Billy told him about the horses and the couple picnicking on the moon.
The story ended this way: Billy and the doctors unharnessed the horses, but the horses wouldn't go anywhere. Their feet hurt too much. And then Russians came on motorcycles, and they arrested everybody but the horses.
Two days after that, Billy was turned over to the Americans, who shipped him home on a very slow freighter called the Lucretia A. Mott. Lucretia A. Mott was a famous American suffragette. She was dead. So it goes.
"It had to be done," Rumfoord told Billy, speaking of the destruction of Dresden.
"I know," said Billy.
"That's war."
"I know. I'm not complaining."
"It must have been hell on the ground."
"It was," said Billy Pilgrim.
"I do."
"You must have had mixed feelings, there on the ground."
"It was all right," said Billy. "Everything is all right, and everybody has to do exactly what he does. I learned that on Tralfamadore."
Billy Pilgrim's daughter took him home later that day, put him to bed in his house, turned the Magic Fingers on. There was a practical nurse there. Billy wasn't supposed to work or even leave the house for a while, at least. He was under observation.
But Billy sneaked out while the nurse wasn't watching, and he drove to New York City, where he hoped to appear on television. He was going to tell the world about the lessons of Tralfamadore.
Billy Pilgrim checked into the Royalton Hotel on Forty-fourth Street in New York. He by chance was given a room which had once been the home of George Jean Nathan, the critic and editor. Nathan, according to the Earthling concept of time, had died back in 1958. According to the Tralfamadorian concept, of course, Nathan was still alive somewhere and always would be.
The room was small and simple, except that it was on the top floor, and had French doors which opened onto a terrace as large as the room. And beyond the parapet of the terrace was the air space over Forty-fourth Street. Billy now leaned over that parapet, looked down at all the people moving hither and yon. They were jerky little scissors. They were a lot of fun.
It was a chilly night, and Billy came indoors after a while, closed the French doors. Closing those doors reminded him of his honeymoon. There had been French doors on the Cape Ann love nest of his honeymoon, still were, always would be.
Billy turned on his television set, clicking its channel selector around and around. He was looking for programs on which he might be allowed to appear. But it was too early in the evening for programs that allowed people with peculiar opinions to speak out. It was only a little after eight o'clock, so all the shows were about silliness or murder. So it goes.